The Release of Ansaphone Messages Are Wounds From the Teeth of the Streets by Sheer Zed in Conjunction with TQ Music Zine & N-Aut (No-Audience Underground Tapes) #NewAlbum

1. Ansaphone Messages Are Wounds from the Teeth of the Streets by Sheer Zed Front Cover

In conjunction with TQ music zine and N-Aut (No-Audience Underground Tapes) I’m very happy to announce the release of Ansaphone Messages Are Wounds From the Teeth of the Streets, an experimental album of sound art. Recorded over a period of five years this album is a free exclusive CDR giveaway (while stocks last) with TQ20 music zine only.

Amsterdam, Bristol and Newport are the locations visited in this experimental album of found and personal audio artifacts. Death threats, aborted meetings and lost coffee shop moments all feature in this five track album of exploratory, surreal and at times unsettling sounds. An excerpt from Amsterscape One is streamable via my SoundCloud account below.

Sheer Zed would like to thank; The Grey Area/Amsterdam, The Hoxton/Amsterdam, EasyJet, Robert from Birmingham, PC Liam, Sharon, GWR and its appallingly delayed train service and finally and by no means least Andy at TQ music zine and David Howcroft of N-Aut (No-Audience Underground Tapes).

Release Date: February/March 2019

Production & Artwork: Sheer Zed

Mastering: Loz Gill at Fat As Funk.

Genre: Ambient, Field Recordings, Electronic and Experimental.

Tracks:

  1. Amsterscape One – 4:20mins
  2. And It’ll Be The Last Thing You’ll Ever Do – 8:14mins
  3. Amsterscape Two – 5:34mins
  4. The Tannoy at the Railway Station Wasn’t Very Clear – 10:15mins
  5. Amsterscape Three – 5:10mins

Published by: Sheer Zed

• Electronic Musician • Artist • Shaman • Born in Newport, South Wales, Sheer Zed started singing at the age of six. He showed an interest in audio production, producing experimental tape shows in his bedroom at the age of eleven and started to write songs at sixteen. With a strong leaning to electronic based music, Sheer Zed recorded an industrial electronic album "Electro-Punk ’86" during the mid 1980’s. Festivals and numerous radio shows such as The Dark Outside, The Phantom Circuit, The Numbers Broadcast, Frome FM's Homely Remedies and The Alrealon Musique Show have all featured Sheer Zed’s peculiar brand of outsider electronics. For over thirty years Sheer Zed has worked with many artists, collectives and groups. Louder Than War reviewed Sheer Zed's music as "extraordinary", "immersive" and "exciting". CompulsionOnline described Sheer Zed's music as "absorbing and intricate", "surreal" and "invigorating". TQ Music Zine declared Sheer Zed's music "a tour de force". Cool and Strange Music Magazine said his music was "Mithraic". The artist Val Denham stated that Sheer Zed was a "fire eating freak of god damn nature!" Jonathan Ross, the UK TV mogul during the late 1990's called Sheer Zed "A f**king nuisance!". The Bandcamp compilations Terse Greetings 2015 from Australia’s Severed Heads, Several by Several (a compilation supporting the late great John Several) and the 95 track #MoreInCommon Hope Not Hate compilation promoting peace and tolerance have all featured Sheer Zed’s eclectic electronic music •

Categories Ambient, Art, Electronic Music, Experimental, Field Recordings, Music, Music Albums, New Music, Sound, SoundCloud, Underground Music2 Comments

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